Caroline Woods

Heavy Paperback (2 to 4 lbs)

Texas

A Novel

A tightly plotted page-turner ripped from the headlines of history, as three very different women must work together to stop a killer and save the truest home they've ever known. Before hypnotism, there was mesmerism. And in 1894 Minneapolis, in the wake of a national financial crisis, spiritualism of every stripe is all the rage, and women are dying under mysterious circumstances. But until a new guest lands at the Bethany Home for Unwed Mothers, refusing to speak or explain her arrival, the sordid stories of unexplained deaths seem unconnected. Faith's reticence is quickly interpreted as malevolence, setting the house abuzz with whispers of dark magic. Abby, a staunch Quaker, lifelong supporter of progressive causes, and Bethany Home's treasurer, thinks the rumors of mystical powers swirling around Faith are nonsense, but she recognizes the danger of a good story. Refusing to allow the Home's important mission to be clouded by scandal, Abby tasks Faith's roommate, May, with tracing Faith's path to Bethany Home. May is desperate to end her year at Bethany Home engaged and on track to her happily-ever-after--even if her prince charming is Hal, a man she's not sure she can trust. She uncovers a Minneapolis she never expected as she begins digging into Faith's shadowy background, and her investigation brings her closer to polite society and Hal than she could have dreamed. The more May learns, the more she's forced to question the motives of everyone around her, including Abby and Faith, and as more women turn up dead, May must reevaluate the future she wants, and which lies she's willing to tell, for whom. Rich with tension, suspicion, and sharply observed characters, Caroline Woods reimagines a classic American genre through the eyes of three bold, unforgettable women.

The Mesmerist

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Chimamanda Ngozi Adichie

Light Paperback (1 lb or less)

Re-creates the 1960s struggle of Biafra to establish an independent republic in Nigeria, following the intertwined lives of the characters through a military coup, the Biafran secession, and the resulting civil war.

Half of a Yellow Sun

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Dolly Alderton

Hardcover (1 to 2 lbs)

From the New York Times best-selling author of Ghosts and Everything I Know About Love: a story of heartbreak and friendship and how to survive both Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is. . . Without a home Waiting for his stand-up career to take off Wondering why everyone else around him seems to have grown up while he wasn't looking Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story… In this sharply funny and exquisitely relatable story of romantic disaster and friendship, Dolly Alderton offers up a love story with two endings, demonstrating once again why she is one of the most exciting writers today, and the true voice of a generation.

Good Material

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Michael Finkel

Light Hardcover (1 lb or less)

A True Story of Love, Crime, and a Dangerous Obsession

The true story of the world’s most prolific art thief—a spellbinding portrait of obsession and flawed genius, from the bestselling author of The Stranger in the Woods For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly ten years—in museums and cathedrals all over Europe—Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion. In The Art Thief, Michael Finkel brings us into Breitwieser’s strange and fascinating world. Unlike most thieves, he never stole for money, keeping all his treasures in a single room where he could admire them to his heart’s content. Possessed of a remarkable athleticism and an innate ability to assess practically any security system, Breitwieser managed to pull off a breathtakingly number of audacious thefts. Yet these strange talents bred a growing disregard for risk and an addict’s need to score, leading Breitwieser to ignore his girlfriend’s pleas to stop—until one final act of hubris brought everything crashing down. This is a riveting story of art, crime, and an insatiable hunger to possess beauty at any cost.

The Art Thief

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Rebecca Kauffman

“Rebecca Kauffman writes like a sunbeam, strong and warm on whatever lands in her path. This book only looks short—in reality, it reveals a family so richly drawn, so deep and complex, that it contains the whole world.” —Emma Straub A modern and classic story of family, I'll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them, a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now disastrously attempting to woo her, a couple in denial about a looming health crisis, and their son who is fumbling toward middle age and can’t stop lying. Ultimately, these storylines crescendo and converge into a dramatic and harrowing turn of events. With heart, wit, and courage, and through pain, these characters traverse territory that both challenges and defines the bonds of family. Sweeping yet compact, I’ll Come to You investigates themes of intimacy, memory, loss, grief, and reconciliation, and the wonder, terror, frustration, fear, and magic of brushing up against the unknowable—both around us and within us.

I'll Come to You

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Linda Moore

Art historian Cate Adamson, desperate to succeed to console her grieving parents, leaves the Midwest to complete her doctorate in New York--only to find herself assigned to an impossible sexist advisor. She struggles to impress him until she discovers a hidden painting, possibly a Baroque masterpiece. Risking her career, financial disaster, and further alienation from her family, she flees to Spain with the painting to consult art experts.    




Antonio, an impoverished duke, meets Cate on the train to Seville, and joins her search while attempting to rescue the decaying legacy of his family. They find clues and uncover evidence that will shock the titans of art history, may destroy her prospects as an art historian, and shatter her future with Antonio. 




 Written with vivid prose, rich references to seventeenth century Spanish art, compelling characters and a historical puzzle, Attribution is the story of one contemporary woman's journey to understand the past and unlock her future.




Attribution

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Orlando Reade

The Revolutionary Afterlife of Paradise Lost

A highly original hybrid of literary criticism and political history, telling of the enduring, surprising and ever-evolving relevance of Milton’s epic poem through the scandalous life of its creator and the revolutionary lives that were influenced by it. What in Me Is Dark tells the unlikely story of how Milton’s epic poem came to haunt political struggles over the past four centuries, including the many different, unexpected, often contradictory ways in which it has been read, interpreted, and appropriated through time and across the world, and to revolutionary ends. The book focuses on twelve readers—including Malcolm X, Thomas Jefferson, George Eliot, Hannah Arendt, and C.L.R James—whose lives demonstrate extraordinary and disturbing influence on the modern age. Drawing from his own experiences teaching Paradise Lost in New Jersey prisons, English scholar Orlando Reade deftly investigates how the poem was read by people embedded in struggles against tyranny, slavery, colonialism, gender inequality, and capitalist exploitation. It is experimental nonfiction at its finest; rich literary analysis and social, cultural and political history are woven together to make a clarifying case for the undeniable impact of the poem.

What in Me Is Dark

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Anbara Salam

Paperback (1 to 2 lbs)

Hazardous Spirits brilliantly captures a young woman's world unsettled by mediums and spirits, revealing the devastating secrets that ghosts from the past can tell when given the voice to do so.

Hazardous Spirits

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Kyung-Sook Shin

Anton Hur

An instant bestseller in Korea and the follow up to the international bestseller, Please Look After Mom; centering on a woman’s efforts to reconnect with her aging father, uncovering long-held family secrets. Two years after losing her daughter in a tragic accident, Hon finally returns to her home in the countryside to take care of her father. At first, her father only appears withdrawn and fragile, an aging man, awkward but kind around his own daughter. Then, after stumbling upon a chest of letters, Hon discovers the truth of her father’s past and reconstructs her own family history. Consumed with her own grief, Hon had been blind to her father’s vulnerability and her family’s fragility. Unraveling secret after secret and thanks to conversations with loving family and friends, Hon grows closer to her father, who proves to be more complex than she ever gave him credit for. After living through one of the most tumultuous times in Korean history, her father’s life was once vibrant and ambitious, but spiraled during the postwar years. Now, after years of emotional isolation, Hon learns the whole truth, from her father’s affair and involvement in a religious sect, to the dynamic lives of her own siblings, to her family’s financial hardships. What Hon uncovers about her father builds towards her understanding of the great scope of his sacrifice and heroism, and of his generation as a whole. More than just the portrait of a single man, I Went to See My Father opens a window onto humankind, family, loss, and war. With this long-awaited follow-up to Please Look After Mom—flawlessly rendered by award-winning translator Anton Hur—Kyung-Sook Shin has crafted an ambitious, global, epic, and lasting novel.

I Went to See My Father

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Jane Smiley

Heavy Hardcover (2 to 4 lbs)

From the best-selling, Pulitzer Prize–winning writer, a soaring, soulful novel about a folk musician who rises to fame across our changing times. Before Jodie Rattler became a star, she was a girl growing up in St. Louis. One day in 1955, when she was just six years old, her Uncle Drew took her to the racetrack, where she got lucky—and that roll of two-dollar bills she won has never since left her side. Jodie thrived in the warmth of her extended family, and then—through a combination of hard work and serendipity—started a singing career, which catapulted her from St. Louis to New York City, from the English countryside to the tropical beaches of St. Thomas, from Cleveland to Los Angeles, and back again. Jodie comes of age in recording studios, backstage, and on tour, and tries to hold her own in the wake of Janis Joplin, Joan Baez, Judy Collins, and Joni Mitchell. Yet it feels like something is missing. Could it be true love? Or is that not actually what Jodie is looking for? Full of atmosphere, shot through with longing and exuberance, romance and rock'n'roll, Lucky is a story of chance and grit and the glitter of real talent, a colorful portrait of one woman's journey in search of herself.

Lucky

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Zoje Stage

One of Entertainment Weekly’s Must-Read Books for July | People Magazine's Book of the Week | One of Bustle's "Fifteen Books With Chilling Protagonists That Will Keep You Guessing" | One of PopSugar's "25 Must-Read Books That Will Make July Fly By!" | One of the "Biggest Thrillers of the Summer"—SheReads | A Barnes and Noble Blog Best Thriller for July! | "New & Noteworthy" —USA Today | "Summer 2018 Must-Read"—Bookish | "One of 11 Crime Novels You Should Read in July"—Crime Reads | "Best Summer Reads for 2018"—Publishers Weekly "Gripping"—InStyle "Propulsive."—New York Times Book Review "A wholly original and terrifically creepy story."—Refinery29 "A twisty, delirious read"—EntertainmentWeekly.com "A deliciously creepy read."—New York Post MEET HANNA: Seven-year-old Hanna is a sweet-but-silent angel in the eyes of her adoring father Alex. He’s the only person who understands her. But her mother Suzette stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good. MEET SUZETTE: Suzette loves her daughter, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. She’s also becoming increasingly frightened by Hanna’s little games, while her husband Alex remains blind to the failing family dynamics. Soon, Suzette starts to fear that maybe their supposedly innocent baby girl may have a truly sinister agenda. A battle of wills between mother and daughter reveals the frailty and falsehood of familial bonds in award-winning playwright and filmmaker Zoje Stage’s tense novel of psychological suspense, Baby Teeth. “Unnerving and unputdownable, Baby Teeth will get under your skin and keep you trapped in its chilling grip until the shocking conclusion.”—New York Times bestselling author Lisa Scottoline “We Need to Talk About Kevin meets Gone Girl meets The Omen...a twisty, delirious read that will constantly question your sympathies for the two characters as their bond continues to crumble.”—Entertainment Weekly “A pulse-spiking thriller.”—PopSugar

Baby Teeth

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Emma Copley Eisenberg

Two young housemates embark on a road trip to discover themselves in this sparkling novel of love, friendship, and chosen family in a fractured America, by the award-winning author of The Third Rainbow Girl “A wise, beautiful, and gorgeously gay exploration of America, art, and the rugged, vast country that is love itself.”—Sarah Thankam Mathews, author of All This Could Be Different A Most Anticipated Book of 2024: Lit Hub, Debutiful, LGBTQ Reads, The Rumpus, Lilith, Hey Alma, Them What does it feel like, standing in the moments that will mark your life? When Bernie replies to Leah’s ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography. After Bernie’s former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a journey into the heart of the nation, bringing the housemates into conversation with people from all walks of life—“the absurd dreamers and failures of this wide, wide country”— as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to chase their own ideas and dreams, and to embrace what they are capable of both romantically and artistically. Warm and insightful, Housemates is a story of youth and freedom—a glorious celebration of queer life, and how art and love might save us all.

Housemates

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Esther Yi

“Wondrous and weird . . . Y/N resists the junkiness of the internet . . . against which a well-formed novel like this counteracts, a blast of cleansing heat.” —New York Times "Gorgeous." —New Yorker "High Brow x Brilliant." —NY Mag (Approval Matrix) "Piercing, feverish, and frequently astonishing." —Entertainment Weekly "Utterly brilliant." —Cosmopolitan "A true novel of the era." —Elle "Freakish and hallucinatory." —Vulture "Absurdly funny." —Ms. Magazine "Haunting." —Esquire "Riveting and innovative." —TIME "Sophisticated." —Chicago Review of Books "Strange, haunting, and undeniably beautiful." —Publishers Weekly (Starred Review) "One of the most daring novels of the year." —Bookpage (Starred Review) "Witty, self-knowing and, extraordinarily, far beyond categorization." —The Times UK Surreal, hilarious, and shrewdly poignant—a novel about a Korean American woman living in Berlin whose obsession with a K-pop idol sends her to Seoul on a journey of literary self-destruction. It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Then Moon suddenly retires, vanishing from the public eye. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys to Korea in search of the object of her love. An escalating series of mistranslations and misidentifications lands her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence. From a conspicuous new talent comes Y/N, a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Crackling with the intellectual sensitivity of Elif Batuman and the sinewy absurdism of Thomas Pynchon, Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

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Kevin Young

Poems

A book of loss, looking back, and what binds us to life, by a towering poetic talent, called "one of the poetry stars of his generation." —Los Angeles Times "We sleep long, / if not sound," Kevin Young writes early on in this exquisite gathering of poems, "Till the end / we sing / into the wind." In scenes and settings that circle family and the generations in the American South—one poem, "Kith," exploring that strange bedfellow of "kin"—the speaker and his young son wander among the stones of their ancestors. "Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead." Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them—of us—poetry can save.

Stones

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Patrick Phillips

From New York City subway encounters to memories of pickup basketball games on Fourth Street, a love letter to the past, and to all the relationships and memories our homeplaces hold, from the National Book Award finalist.

"I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best.
 
Phillips finds his love of a complex, vibrant city extends to his dearest people--he writes for his friend Paul, dying of cancer; for his wife's stormy eyes when they fight; for the baby boy he once woke at night to feed and change. All these and more pass through Phillips's elegant yet colloquial lines, in a book that shines with love and honesty on every page. As he writes, "If you're reading this / we were once friends." 
 

Song of the Closing Doors

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Michael Ondaatje

From one of the most influential writers of his generation, a gorgeously surprising poetry collection about memory, history, and the act of looking back Following several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. Moving from a Sri Lankan boarding school to Molière’s chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him. From his poem "His chair, a narrow bed, a motel room, the fox": At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. ‘See that shadow on the wall . . .’ All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slavianski Bazaar Hotel in "The Lady with a Dog," where Dmitri imagines their dark but hopeful future. The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud. The Casa Verdi in Milan, where retired opera singers were welcomed along with various heteronyms of Fernando Pessoa in their afterlife.

A Year of Last Things

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Richie Hofmann

An erotic journal in poems, from a rising star in the American poetry scene, author of the highly acclaimed collection Second Empire. “A book of love poems that consciously and subversively hearken back to Shakespeare’s sonnets, marking Hofmann’s position as one of our necessary poets of erotic desire.” —Jericho Brown, Pulitzer Prize–winning author of The Tradition A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire. Bringing us both the carefully knotted silk ties of the wedding pair and their undress in a series of Hockney-like interiors where passion colors every object, Hofmann speaks plainly of the saliva, tears, and guts of the carnal, just as he does of the sublime in works of art. A Hundred Lovers invites us to consider our own memories of pleasure and pain, which fill the generous white space the poet leaves open to us between his ravishing lines.

A Hundred Lovers

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Hanna Halperin

"Propulsive . . . . Good books sometimes cut to the bone, and this one feels like a scythe." --The New York Times Book Review

"This wise, brilliant novel is so special, so overflowing with honesty and love--about motherhood, sisterhood, what it's like to be a woman--that every paragraph feels like an epiphany. Hanna Halperin knows the fierce love that can exist especially among broken things. Something Wild moved me deeply."
--Glennon Doyle, #1 New York Times bestselling author of Untamed

A searing novel about the love and contradictions of sisterhood, the intoxicating desires of adolescence, and the traumas that trap mothers and daughters in cycles of violence

One weekend, sisters Tanya and Nessa Bloom pause their respective adult lives and travel to the Boston suburbs to help their mother pack up and move out of their childhood home. For the first time since they were teenagers sharing a bunk bed over a decade ago, they find themselves in the place where long-kept secrets were born, where jealousy, comfort, anger, forgiveness, and repulsion coexist with the fiercest love and loyalty. What they don't expect is for their visit to expose a new, horrifying truth: their mother, Lorraine, is in a violent relationship.

As Tanya urges Lorraine to get a restraining order, Nessa struggles to reconcile her fondness for their stepfather with his capacity for brutality. Their differing responses to the abuse bring up the sisters' shared secret--a traumatic, unspoken experience from their adolescence has shaped their lives, their sense of selves, and their relationship with each other and the men in their life. In the midst of this family crisis, they have no choice but to reckon with the past and face each other in the present, in the hope that there's a way out of the violence so deeply ingrained in the Bloom family.

Told in alternating perspectives that deftly interweave past and present, Something Wild is a magnetic, unflinching portrait of the bond between sisters, as well as a psychologically acute exploration of the legacy of divorce, the ways trauma reverberates over generations, and how it might be possible to overcome the past.

Something Wild

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"Halperin's radiant second novel walks the fine line between the longing for couplehood and the torture of codependency. . . . Let the rapturous intimacy and gut-churning ups and downs begin!" --Leigh Haber, The New York Times Book Review

By the award-winning author of Something Wild, a gripping portrait of a tumultuous, consuming relationship between a young woman and a recovering addict

When Leah Kempler meets Charlie Nelson in line at the grocery store, their attraction is immediate and intense. Charlie, with his big feelings and grand proclamations of love, captivates her completely. But there are peculiarities of his life--he's older than her but lives with his parents; he meets up with a friend at odd hours of the night; he sleeps a lot and always seems to be coming down with something. He confesses that he's a recovering heroin addict, but he promises Leah that he's never going to use again.

Leah's friends and family are concerned. As she finds herself getting deeper into an isolated relationship, one of manipulation and denial, the truth about Charlie feels as blurry as their time together. Even when Charlie's behavior becomes increasingly erratic, when he starts to make Leah feel unsafe, she can't help but feel that what exists between them is destined. Charlie is wide open, boyish, and unbearably handsome. The bounds of Leah's own pain--and love--are so deep that she can't see him spiraling into self-destruction.

Hanna Halperin writes with aching vulnerability and intimacy, sharply attuned to Leah's desire for an all-consuming, compulsive connection. I Could Live Here Forever exposes the chasm between perception and truth to tell an intoxicating story of one woman's relationship with an addict, the accompanying swirl of compassion and codependence, and her enduring search for love and wholeness.

I Could Live Here Forever

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Celia Bell

This radiant and thrilling debut follows a passionate love affair between two noblewomen who wish to free themselves from their repressive society, whatever the cost. In 17th century Paris, everyone has something to hide. The noblemen and women and writers consort with fortune tellers in the confines of their homes, servants practice witchcraft and black magic, and the titled poison family members to obtain inheritance. But for the Baroness Marie Catherine, the only thing she wishes to hide is how unhappy she is in her marriage, and the pleasures she seeks outside of it. When her husband is present, the Baroness spends her days tending to her children and telling them elaborate fairy tales, but when he’s gone, Marie Catherine indulges in a more liberated existence, one of forward-thinking discussions with female scholars in the salons of grand houses, and at the center of her freedom: Victoire Rose de Bourbon, Mademoiselle de Conti, the androgynous, self-assured countess who steals Marie Catherine’s heart and becomes her lover. Victoire possesses everything Marie Catherine does not—confidence in her love, and a brazen fearlessness in all that she’s willing to do for it. But when a shocking and unexpected murder occurs, Marie Catherine must escape. And what she discovers is the dark underbelly of a city full of people who have secrets they would kill to keep. The Disenchantment is a stunning debut that conjures an unexpected world of passion, crime, intrigue, and black magic.

Browse by categories

Caroline Woods

The Mesmerist

Chimamanda Ngozi Adichie

Half of a Yellow Sun

Dolly Alderton

Good Material

Michael Finkel

The Art Thief

Rebecca Kauffman

I'll Come to You

Linda Moore

Attribution

Orlando Reade

What in Me Is Dark

Anbara Salam

Hazardous Spirits

Kyung-Sook Shin; Anton Hur

I Went to See My Father

Jane Smiley

Lucky

Zoje Stage

Baby Teeth

Emma Copley Eisenberg

Housemates

Esther Yi

Y/n

Kevin Young

Stones

Patrick Phillips

Song of the Closing Doors

Michael Ondaatje

A Year of Last Things

Richie Hofmann

A Hundred Lovers

Hanna Halperin

Something Wild

Hanna Halperin

I Could Live Here Forever

Celia Bell

The Disenchantment

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