Eric Marcus

Light Paperback (1 lb or less)

Answers to 300 of the Most Frequently Asked Questions about Gays and Lesbian People

There Is No Such Thing As a Stupid Question In this newly revised edition, Eric Marcus provides insightful, no-nonsense answers to hundreds of the most commonly asked questions about homosexuality. Offering frank insight on everything you've always wanted-and needed-to know about same-gender relationships, coming out, family roles, politics, and much more, including: How do you know if you're gay or lesbian? What should you do if your child is gay or lesbian? Do gay parents raise gay children? If you think a friend is gay or lesbian, what should you say? Why do gay men and women want to get married? What does the Bible say about homosexuality?

Is It a Choice

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Ta-Nehisi Coates

Light Hardcover (1 lb or less)

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

Between the World and Me

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Qian Julie Wang

Hardcover (1 to 2 lbs)

A Memoir

A NEW YORK TIMES BEST SELLER * The moving story of an undocumented child living in poverty in the richest country in the world--an incandescent debut from an astonishing new talent * A TODAY SHOW #READWITHJENNA PICK

In Chinese, the word for America, Mei Guo, translates directly to "beautiful country." Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian's parents were professors; in America, her family is "illegal" and it will require all the determination and small joys they can muster to survive.

In Chinatown, Qian's parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly "shopping days," when Qian finds small treasures in the trash lining Brooklyn's streets, and a magical Christmas visit to Rockefeller Center--confirmation that the New York City she saw in movies does exist after all.

But then Qian's headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor's visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you've always lived here.

Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

Beautiful Country

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Glennon Doyle

#1 NEW YORK TIMES BESTSELLER • Over two million copies sold! “Packed with incredible insight about what it means to be a woman today.”—Reese Witherspoon (Reese’s Book Club Pick) In her most revealing and powerful memoir yet, the activist, speaker, bestselling author, and “patron saint of female empowerment” (People) explores the joy and peace we discover when we stop striving to meet others’ expectations and start trusting the voice deep within us. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • The Washington Post • Cosmopolitan • Marie Claire • Bloomberg • Parade • “Untamed will liberate women—emotionally, spiritually, and physically. It is phenomenal.”—Elizabeth Gilbert, author of City of Girls and Eat Pray Love This is how you find yourself. There is a voice of longing inside each woman. We strive so mightily to be good: good partners, daughters, mothers, employees, and friends. We hope all this striving will make us feel alive. Instead, it leaves us feeling weary, stuck, overwhelmed, and underwhelmed. We look at our lives and wonder: Wasn’t it all supposed to be more beautiful than this? We quickly silence that question, telling ourselves to be grateful, hiding our discontent—even from ourselves. For many years, Glennon Doyle denied her own discontent. Then, while speaking at a conference, she looked at a woman across the room and fell instantly in love. Three words flooded her mind: There She Is. At first, Glennon assumed these words came to her from on high. But she soon realized they had come to her from within. This was her own voice—the one she had buried beneath decades of numbing addictions, cultural conditioning, and institutional allegiances. This was the voice of the girl she had been before the world told her who to be. Glennon decided to quit abandoning herself and to instead abandon the world’s expectations of her. She quit being good so she could be free. She quit pleasing and started living. Soulful and uproarious, forceful and tender, Untamed is both an intimate memoir and a galvanizing wake-up call. It is the story of how one woman learned that a responsible mother is not one who slowly dies for her children, but one who shows them how to fully live. It is the story of navigating divorce, forming a new blended family, and discovering that the brokenness or wholeness of a family depends not on its structure but on each member’s ability to bring her full self to the table. And it is the story of how each of us can begin to trust ourselves enough to set boundaries, make peace with our bodies, honor our anger and heartbreak, and unleash our truest, wildest instincts so that we become women who can finally look at ourselves and say: There She Is. Untamed shows us how to be brave. As Glennon insists: The braver we are, the luckier we get.

Untamed

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Michelle Alexander

Cornel West

Paperback (1 to 2 lbs)

Mass Incarceration in the Age of Colorblindness

Argues that the War on Drugs and policies that deny convicted felons equal access to employment, housing, education and public benefits create a permanent under-caste based largely on race. Reprint. 12,500 first printing.

The New Jim Crow

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James Baldwin

Edward P. Jones

#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction. Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American.

Notes of a Native Son

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Reni Eddo-Lodge

Selected by Emma Watson as the Our Shared Shelf Book Club Pick for January/February 2018 Sunday Times Bestseller Winner of the British Book Awards Non-Fiction Narrative Book of the Year Winner of the Jhalak Prize This is a book that was begging to be written . . . Essential." - Marlon James "The most important book for me this year." - Emma Watson "One of the most important books of 2017." - Nikesh Shukla, editor of The Good Immigrant In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren''t affected by it. She posted a piece on her blog, entitled: "Why I''m No Longer Talking to White People About Race."Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanized by this clear hunger for open discussion, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today. Foyles Nonfiction Book of the Year Blackwell''s Nonfiction Book of the Year Named One of the Best Books of 2017 by: NPR The Guardian The Observer The Brooklyn Rail Cultured Vultures "This is a book that was begging to be written. This is the kind of book that demands a future where we''ll no longer need such a book. Essential." - Marlon James, author of Man Booker Prize-winning A BRIEF HISTORY OF SEVEN KILLINGS"This political, accessible and uncompromising book has got people talking about race and racism in Britain." - Guardian, "Books of the Year" "Searing ? A fresh perspective, offering an Anglocentric alternative to the recent status-quo-challenging successes of Get Out and Dear White People . This book''s probing analysis and sharp wit certainly make us pray she will continue talking to white people about race." - Harper''s Bazaar "A clear and convincing dissection of racism and the white denial that perpetuates it." - Our Best Adult Books of 2017 - Nonfiction, starred review, Shelf Awareness "A plainspoken, hard-hitting take on mainstream British society''s avoidance of race and the complexities and manifestations of racism . . . Eddo-Lodge''s crisp prose and impassioned voice implore white Britain to look beyond obvious racism to acknowledge the more opaque existence of structural racism . . . With this thoughtful and direct book, Eddo-Lodge stokes the very conversation that the title rejects." - Publishers Weekly "In her probing and personal narrative, Eddo-Lodge offers fresh insight into the way all racism is ultimately a ''white problem'' that must be addressed by commitment to action, no matter how small . . . A sharp, compelling, and impassioned book." - Kirkus Reviews "The provocative title is hard to ignore, and so is the book''s cover. Seen from afar, it appears to be called Why I''m No Longer Talking About Race, which is intriguing enough on its own. You have to look closer to see To White People hiding underneath it in debossed letters. It''s a striking visual representation of white people''s blindness to everyday, structural racism . . . It''s that boldness, that straight talk which makes this book memorable. Eddo-Lodge pushes readers to recognize that racism is a systemic problem that needs to be tackled by those who run the system." - NPR.org "You don''t have to live in the U.K. to recognize the issues of white privilege, class, feminism and structural racism that [Eddo-Lodge] explores in this essential book." - Silvia Vinas, NPR "Why I''m No Longer Talking to White People about Race by Reni Eddo-Lodge is a timely and sparky discussion about a vital subject." - Times Literary Supplement, "Books of the Year" "Her work, which began as a silent scream against white complicity to racism, has shifted the conversation in the U.K. . . . Though she may not be talking to white people about race, she has gotten a lot of people to listen." - Time Magazine "Reni Eddo-Lodge is that rarest of delights - a young, working-class black woman from Tottenham with a voice in public life ? This book is a real eye-opener when it comes to Britain''s hidden history of discrimination ? A book like this matters now." - Refinery29 "Eddo-Lodge explores the nuanced ways in which racial prejudice continues and is ignored." - Vogue "A must-read that expertly reflects the challenges of addressing structural racism." - starred review, Library Journal "A book that''s set to blow apart the understanding of race relations in this country." - Stylist "I found Why I''m No Longer Talking to White People about Race by Reni Eddo-Lodge timely and resonant. The author''s passages on intersectionality are particularly poignant. It''s a powerful and important read, relevant and accessible whatever your race." - Observer, "Books of the Year" "Thought-provoking (and deeply uncomfortable) ? What Eddo-Lodge does is to force her readers to confront their own complicity ? Her books is a call to action ? What makes the book radical is the way it shifts the burden of ending racism on to white people." - Sunday Herald "Offering extraordinary and articulate insights into contemporary race relations, "Why I''m No Longer Talking to White People About Race" is impressively informative, exceptionally well written, organized and presented, and an essential, core addition to both community and academic library Contemporary Social Issues in general, and Race Relations supplemental studies lists in particular." - Midwest Book Review "Why I''m No Longer Talking To White People About Race . . . look[s] at racial dynamics in the UK, and does so with intelligence and poignance. Eddo-Lodge''s journalism background makes the book the perfect mixture of fact and opinion, resulting in a book that will probably teach you a lot about Britain''s racist history." - Cultured Vultures, "10 Best Books of 2017" "Eddo-Lodge is digesting history for those white readers who have had their ears and eyes shut to the violence in Britain''s past ? An important shift that undermines the idea that racism is the BAME community''s burden to carry. The liberation that this book offers is in the reversal of responsibilities." - Arifa Akbar, Financial Times "It''s deep, it''s important and I suggest taking a deep breath, delving in and I promise you will come up for air woke and better equipped to understand the underlying issues of race in our society." - Sharmaine Lovegrove, ELLE "Daring, interrogatory, illuminating. A forensic dissection of race in the UK from one of the country''s most critical young thinkers. Reni''s penetrative voice is like a punch to the jugular. Read it, then tell everyone you know." - Irenosen Okojie, author of BUTTERFLY FISH"One of the most important books of 2017." - Nikesh Shukla, editor of THE GOOD IMMIGRANT"I''ve never been so excited about a book. Thank God somebody finally wrote it ? Blistering ? Absolutely vital writing from one of the most exciting voices in British politics. A stunningly important debut ? Fellow white people: It''s our responsibility as to read this book ? This book is essential reading for anyone even remotely interested in living in a fairer, kinder and more equal world." - Paris Lees"Laying bare the mechanisms by which we internalise the assumptions, false narratives and skewed perceptions that perpetuate racism, Eddo-Lodge enables readers of every ethnicity to look at life with clearer eyes. A powerful, compelling and urgent read." - Ann Morgan, author of A YEAR OF READING THE WORLD"

Why I'm No Longer Talking to White People about Race

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Maya Angelou

Oprah Winfrey

The critically acclaimed author and poet recalls the anguish of her childhood in Arkansas and her adolescence in northern slums. Reissue.

I Know Why the Caged Bird Sings

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Trang Nguyễn

Trang Nguyễn

@trang570688

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Eric Marcus

Is It a Choice

Ta-Nehisi Coates

Between the World and Me

Qian Julie Wang

Beautiful Country

Glennon Doyle

Untamed

Michelle Alexander; Cornel West

The New Jim Crow

James Baldwin; Edward P. Jones

Notes of a Native Son

Reni Eddo-Lodge

Why I'm No Longer Talking to White People about Race

Maya Angelou; Oprah Winfrey

I Know Why the Caged Bird Sings

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Eric Marcus

Is It a Choice

Ta-Nehisi Coates

Between the World and Me

Qian Julie Wang

Beautiful Country

Glennon Doyle

Untamed

Michelle Alexander; Cornel West

The New Jim Crow

James Baldwin; Edward P. Jones

Notes of a Native Son

Reni Eddo-Lodge

Why I'm No Longer Talking to White People about Race

Maya Angelou; Oprah Winfrey

I Know Why the Caged Bird Sings

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