Hannah Whitten

Paperback (1 to 2 lbs)

Illinois

"As the only Second Daughter born in centuries, Red has one purpose-to be sacrificed to the Wolf in the Wood in the hope he'll return the world's captured gods. Red is almost relieved to go. Plagued by a dangerous power she can't control, at least she knows that in the Wilderwood, she can't hurt those she loves. Again. But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn't learn how to use it, the monsters the gods have become will swallow the Wilderwood-and her world-whole"--

For the Wolf

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Philip A. Greasley

Heavy Hardcover (2 to 4 lbs)

The Authors

The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time. Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered. This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.

Dictionary of Midwestern Literature, Volume 1

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Michael Cannell

Hardcover (1 to 2 lbs)

The Psychiatrist, the Mad Bomber, and the Invention of Criminal Profiling

Long before the specter of terrorism haunted the public imagination, a serial bomber stalked the streets of 1950s New York. The race to catch him would give birth to a new science called criminal profiling. Grand Central, Penn Station, Radio City Music Hall—for almost two decades, no place was safe from the man who signed his anonymous letters “FP” and left his lethal devices in phone booths, storage lockers, even tucked into the plush seats of movie theaters. His victims were left cruelly maimed. Tabloids called him “the greatest individual menace New York City ever faced.” In desperation, Police Captain Howard Finney sought the help of a little known psychiatrist, Dr. James Brussel, whose expertise was the criminal mind. Examining crime scene evidence and the strange wording in the bomber’s letters, he compiled a portrait of the suspect down to the cut of his jacket. But how to put a name to the description? Seymour Berkson—a handsome New York socialite, protégé of William Randolph Hearst, and publisher of the tabloid The Journal-American—joined in pursuit of the Mad Bomber. The three men hatched a brilliant scheme to catch him at his own game. Together, they would capture a monster and change the face of American law enforcement.

Incendiary

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Jeff VanderMeer

Heavy Paperback (2 to 4 lbs)

The Illustrated Guide to Creating Imaginative Fiction

This all-new definitive guide to writing imaginative fiction takes a completely novel approach and fully exploits the visual nature of fantasy through original drawings, maps, renderings, and exercises to create a spectacularly beautiful and inspiring object. Employing an accessible, example-rich approach, Wonderbook energizes and motivates while also providing practical, nuts-and-bolts information needed to improve as a writer. Aimed at aspiring and intermediate-level writers, Wonderbook includes helpful sidebars and essays from some of the biggest names in fantasy today, such as George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, Catherynne M. Valente, and Karen Joy Fowler, to name a few.

Praise for Wonderbook:

"Jammed with storytelling wisdom." --Fast Company's Co.Create blog

"This is the kind of book you leave sitting out for all to see . . . and the kind of book you will find yourself picking up again and again." --Kirkus Reviews online

"If you're looking for a handy guide to not just crafting imaginative fiction like sci-fi, fantasy, and horror, but to writing in general, be sure to pick up a copy of Steampunk Bible author Jeff Vandermeer's lovingly compiled Wonderbook."nbsp; --Flavorwire

"Jeff Vandermeer and Jeremy Zerfoss have created a kaleidoscopically rich and beautiful book about fiction writing."nbsp; --Star Tribune

"Because it is so layered and filled with text, tips, and links to online extras, this book can be read again and again by both those who want to learn the craft of writing and those interested in the process of others." --Library Journal

Wonderbook

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Elizabeth Hand

The year is 1915 and Pin, the fifteen year-old daughter of an amusement park fortune teller, disguises herself as a boy to run with the teenage boys who thrive in the dregs of Chicago's street scene. Unbeknownst to the well-heeled city-dwellers and visitors who come to enjoy its attractions, Riverview Park is also host to a brutal serial killer, a perfumed pedophile who uses the secrecy of a dark amusement park ride to conduct his crimes. When Pin sees a man enter the Hell Gate ride with a young girl, and leave without her, she knows that something deadly is afoot. The crime will lead her to the iconic outsider artist Henry Darger, a brilliant but seemingly mad man obsessed with his illustrated novel about a group of young girls who triumph over adult oppressors. Together, the two navigate the seedy underbelly of a changing city to uncover a murderer few even know to look for.

Curious Toys

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A Novel

From award-winning author Elizabeth Hand comes the first-ever novel authorized to return to the world of Shirley Jackson's The Haunting of Hill House--a "scary and beautifully written" (Neil Gaiman) new story of isolation and longing perfect for our present time. Open the door . . . . Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It's enormous, old, and ever-so eerie--the perfect place to develop and rehearse her play. Despite her own hesitations, Holly's girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house's peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . . "The lines of paranoia, art, and reality are terrifyingly blurred . . . only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision with a twenty-first century twist." --Paul Tremblay "Hill House is back and haunting as ever in this vividly imagined return to Shirley Jackson's iconic setting . . . This book gave me the best kind of nightmares." --Ana Reyes

A Haunting on the Hill

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Return to the World of Shirley Jackson's Modern Classic

Grady Hendrix

New York Times bestselling author Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past--and your family--can haunt you like nothing else.
 
When Louise finds out her parents have died, she dreads going home. She doesn't want to leave her daughter with her ex and fly to Charleston. She doesn't want to deal with her family home, stuffed to the rafters with the remnants of her father's academic career and her mother's lifelong obsession with puppets and dolls. She doesn't want to learn how to live without the two people who knew and loved her best in the world.
 
Most of all, she doesn't want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she'll need his help to get the house ready for sale because it'll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market.
 
But some houses don't want to be sold, and their home has other plans for both of them...
 
Like his novels The Southern Book Club's Guide to Slaying Vampires and The Final Girl Support Group, How to Sell a Haunted House is classic Hendrix: equal parts heartfelt and terrifying--a gripping new read from "the horror master" (USA Today).

How to Sell a Haunted House

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Emily Nussbaum

Light Hardcover (1 lb or less)

Arguing My Way Through the TV Revolution

From The New Yorker's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch.

"Emily Nussbaum is the perfect critic-smart, engaging, funny, generous, and insightful."-David Grann, author of Killers of the Flower Moon

From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners-Kenya Barris, Jenji Kohan, and Ryan Murphy-as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of #MeToo, wrestling with the question of what to do when the artist you love is a monster.

More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition-one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean.

Advance praise for I Like to Watch

"This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts-it's the most incisive, intimate, entertaining, authoritative guide to the shows of this golden television age."-Kurt Andersen, author of Fantasyland

"Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy."-Rebecca Traister

I Like to Watch

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Amy Einsohn

A Guide for Book Publishing and Corporate Communications

Addressed to copyeditors in book publishing and corporate communications, this lively, practical manual explains what copyeditors do, what they look for when they edit a manuscript, and how they develop the editorial judgment needed to make sound decisions. 20 line illustrations. 14 tables.

The Copyeditor's Handbook

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