Nicholas Sparks


Sticker residue on top but otherwise, like new!

Trevor Benson never intended to move back to New Bern, North Carolina. But when a mortar blast outside the hospital where he worked sent him home from Afghanistan with devastating injuries, the dilapidated cabin he'd inherited from his grandfather seemed as good a place to regroup as any.

Tending to his grandfather's beloved beehives, Trevor isn't prepared to fall in love with a local . . . yet, from their very first encounter, Trevor feels a connection with deputy sheriff Natalie Masterson that he can't ignore. But even as she seems to reciprocate his feelings, she remains frustratingly distant, making Trevor wonder what she's hiding.

Further complicating his stay in New Bern is the presence of a sullen teenage girl, Callie, who lives in the trailer park down the road. Trevor hopes Callie can shed light on the mysterious circumstances of his grandfather's death, but she offers few clues—until a crisis triggers a race to uncover the true nature of Callie's past, one more intertwined with the elderly man's passing than Trevor could ever have imagined.

In his quest to unravel Natalie and Callie's secrets, Trevor will learn the true meaning of love and forgiveness . . . and that in life, to move forward, we must often return to the place where it all began

Hardcover (1 to 2 lbs)

In the romantic tradition of Dear John, an injured Navy doctor meets two extremely important women whose secrets will change the course of his life in this #1 New York Times bestseller.



Trevor Benson never intended to move back to New Bern, North Carolina. But when a mortar blast outside the hospital where he worked sent him home from Afghanistan with devastating injuries, the dilapidated cabin he'd inherited from his grandfather seemed as good a place to regroup as any.



Tending to his grandfather's beloved beehives, Trevor isn't prepared to fall in love with a local . . . yet, from their very first encounter, Trevor feels a connection with deputy sheriff Natalie Masterson that he can't ignore. But even as she seems to reciprocate his feelings, she remains frustratingly distant, making Trevor wonder what she's hiding.



Further complicating his stay in New Bern is the presence of a sullen teenage girl, Callie, who lives in the trailer park down the road. Trevor hopes Callie can shed light on the mysterious circumstances of his grandfather's death, but she offers few clues--until a crisis triggers a race to uncover the true nature of Callie's past, one more intertwined with the elderly man's passing than Trevor could ever have imagined.



In his quest to unravel Natalie and Callie's secrets, Trevor will learn the true meaning of love and forgiveness . . . and that in life, to move forward, we must often return to the place where it all began.

The Return

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Tessa Bailey

After losing her job and her fiancé in one fell swoop, Natalie Vos returned home to lick her wounds. A few months later, she’s sufficiently drowned her sorrows in cabernet and she’s ready to get back on her feet. She just needs her trust fund to finance her new business venture. Unfortunately, the terms require she marry before she can have the money. And well, dumped, remember?

But Natalie is desperate enough to propose to a man who makes her want to kill him—and kiss him, in equal measure. 

August Cates may own a vineyard, but he doesn’t know jack about making wine. He’s determined to do his late best friend proud, no matter what it takes. Except his tasting room is empty, his wine is disgusting (seriously, he once saw someone gag), and his buddy’s legacy is circling the drain. No bank will give him the loan he needs to turn the business around... and then the gorgeous, feisty heiress knocks on his door.

Natalie has haunted August's dreams since the moment they met, but their sizzling chemistry immediately morphed into simmering insults. Now, a quickie marriage could help them both. A sham wedding, a few weeks living under the same roof, and then they can go their separate ways—assuming they make it out alive. How hard could it be?

There’s just one thing they didn’t account for: their unfortunate, unbearable, undeniable attraction.

Light Paperback (1 lb or less)

A Novel

#1 New York Times bestselling author Tessa Bailey returns with the hilarious follow-up to Secretly Yours, in which a down-on-her-luck Napa heiress suggests a mutually beneficial marriage of convenience to a man she can't stand... only to discover there's a fine line between love and hate.

After losing her job and her fiancé in one fell swoop, Natalie Vos returned home to lick her wounds. A few months later, she's sufficiently drowned her sorrows in cabernet and she's ready to get back on her feet. She just needs her trust fund to finance her new business venture. Unfortunately, the terms require she marry before she can have the money. And well, dumped, remember? But Natalie is desperate enough to propose to a man who makes her want to kill him--and kiss him, in equal measure. 

August Cates may own a vineyard, but he doesn't know jack about making wine. He's determined to do his late best friend proud, no matter what it takes. Except his tasting room is empty, his wine is disgusting (seriously, he once saw someone gag), and his buddy's legacy is circling the drain. No bank will give him the loan he needs to turn the business around... and then the gorgeous, feisty heiress knocks on his door. Natalie has haunted his dreams since the moment they met, but their sizzling chemistry immediately morphed into simmering insults.

Now, a quickie marriage could help them both. A sham wedding, a few weeks living under the same roof, and then they can go their separate ways--assuming they make it out alive. How hard could it be? There's just one thing they didn't account for: their unfortunate, unbearable, undeniable attraction.

Unfortunately Yours

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Amy Poehler

In Amy Poehler's highly anticipated first book, Yes Please, she offers up a big juicy stew of personal stories, funny bits on sex and love and friendship and parenthood and real life advice (some useful, some not so much). Powered by Amy's charming and hilarious, biting yet wise voice, Yes Please is a book full of words to live by

Heavy Hardcover (2 to 4 lbs)

In a perfect world . . . We'd get to hang out with Amy Poehler, watching dumb movies, listening to music, and swapping tales about our coworkers and difficult childhoods. Because in a perfect world, we'd all be friends with Amy—someone who seems so fun, is full of interesting stories, tells great jokes, and offers plenty of advice and wisdom (the useful kind, not the annoying kind you didn't ask for, anyway). Unfortunately, between her Golden Globe-winning role on Parks and Recreation, work as a producer and director, place as one of the most beloved SNL alumni and cofounder of the Upright Citizens' Brigade, involvement with the website Smart Girls at the Party, frequent turns as acting double for Meryl Streep, and her other gig as the mom of two young sons, she's not available for movie night. Luckily we have the next best thing: Yes Please, Amy's hilarious and candid book. A collection of stories, thoughts, ideas, lists, and haikus from the mind of one of our most beloved entertainers, Yes Please offers Amy's thoughts on everything from her "too safe" childhood outside of Boston to her early days in New York City, her ideas about Hollywood and "the biz," the demon that looks back at all of us in the mirror, and her joy at being told she has a "face for wigs." Yes Please is chock-full of words and wisdom to live by.

Yes Please

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Amanda Quick

Vivian Brazier never thought life as an art photographer would include nightly wake-up calls to snap photos of grisly crime scenes or headshots for aspiring male actors. Although she is set on a career of transforming photography into a new art form, she knows her current work is what’s paying the bills.
 
After shooting crime scene photos of a famous actress, the latest victim of the murderer the press has dubbed the “Dagger Killer,” Vivian notices eerie similarities to the crime scenes of previous victims—details that only another photographer would have noticed—details that put Vivian at the top of the killer’s target list.
 
Nick Sundridge has always been able to “see” things that others don’t, coping with disturbing dreams and visions. His talent, or as he puts it—his curse—along with his dark past makes him a recluse, but a brilliant investigator. As the only one with the ability to help, Nick is sent to protect Vivian. Together, they discover the Dagger Killer has ties to the glitz and glamour of Hollywood royalty and high society. It is a cutthroat world of allure and deception that Vivian and Nick must traverse—all in order to uncover the killer who will stop at nothing to add them to their gallery of murders.

"Vivian Brazier never thought life as an art photographer would include shooting headshots for aspiring male actors or nightly wake-up calls to snap photos of grisly crime scenes ... After shooting crime scene photos of a famous actress--the latest victim of the murderer the press has dubbed the 'Dagger Killer'--Vivian notices eerie similarities to the crime scenes of previous Dagger Killer victims, details that only another photographer would have noticed"--

Close Up

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Elly Conway

One Russian magnate's dream of restoring a nation to greatness has set in motion a chain of events which will take the world to the brink of chaos.

Only Frances Coffey, the CIA's most legendary spymaster, can prevent it. But to do so, she needs someone special.

Enter Argylle, a troubled agent with a tarnished past who may just have the skills to take on one of the most powerful men in the world. If only he can save himself first...

The globe-trotting spy thriller that inspired the upcoming action blockbuster Argylle (February 2024), featuring a star-studded cast including Henry Cavill, Bryce Dallas Howard, Samuel L. Jackson, and John Cena, and directed by Matthew Vaughn of Kingsman trilogy fame A luxury train speeding towards Moscow and a date with destiny. A CIA plane downed in the jungles of the Golden Triangle. A Nazi hoard entombed in the remote mountains of South-West Poland. A missing treasure, the eighth wonder of the world, lost for seven decades. One Russian magnate's dream of restoring a nation to greatness has set in motion a chain of events which will take the world to the brink of chaos. Only Frances Coffey, the CIA's most legendary spymaster, can prevent it. But to do so, she needs someone special. Enter Argylle, a troubled agent with a tarnished past who may just have the skills to take on one of the most powerful men in the world. If only he can save himself first...

Argylle

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Sophie Mackintosh

Calla knows how the lottery works. Everyone does. On the day of your first bleed, you report to the station to learn what kind of woman you will be. A white ticket grants you marriage and children. A blue ticket grants you a career and freedom. You are relieved of the terrible burden of choice. And once you've taken your ticket, there is no going back. But what if the life you're given is the wrong one?
 
When Calla, a blue ticket woman, begins to question her fate, she must go on the run. But her survival will be dependent on the very qualities the lottery has taught her to question in herself and on the other women the system has pitted against her. Pregnant and desperate, Calla must contend with whether or not the lottery knows her better than she knows herself and what that might mean for her child.

An urgent inquiry into free will, social expectation, and the fraught space of motherhood, Blue Ticket is electrifying in its raw evocation of desire and riveting in its undeniable familiarity.

"A mesmerizing, refracted vision of our society: In a world where women can't have it all, but are selected as either mothers or workers at the beginning of their adult lives, is choice the biggest burden of all?"--

Blue Ticket

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Christina Hammonds Reed

Ashley Bennett and her friends are living the charmed life. It’s the end of senior year and they’re spending more time at the beach than in the classroom. They can already feel the sunny days and endless possibilities of summer.

Everything changes one afternoon in April, when four LAPD officers are acquitted after beating a black man named Rodney King half to death. Suddenly, Ashley’s not just one of the girls. She’s one of the black kids.

As violent protests engulf LA and the city burns, Ashley tries to continue on as if life were normal. Even as her self-destructive sister gets dangerously involved in the riots. Even as the model black family façade her wealthy and prominent parents have built starts to crumble. Even as her best friends help spread a rumor that could completely derail the future of her classmate and fellow black kid, LaShawn Johnson.

With her world splintering around her, Ashley, along with the rest of LA, is left to question who is the us? And who is the them?

Light Hardcover (1 lb or less)

A New York Times bestseller “Should be required reading in every classroom.” —Nic Stone, #1 New York Times bestselling author of Dear Martin “A true love letter to Los Angeles.” —Brandy Colbert, award-winning author of Little & Lion “A brilliantly poetic take on one of the most defining moments in Black American history.” —Tiffany D. Jackson, author of Grown and Monday’s Not Coming Perfect for fans of The Hate U Give, this unforgettable coming-of-age debut novel explores issues of race, class, and violence through the eyes of a wealthy black teenager whose family gets caught in the vortex of the 1992 Rodney King Riots. Los Angeles, 1992 Ashley Bennett and her friends are living the charmed life. It’s the end of senior year and they’re spending more time at the beach than in the classroom. They can already feel the sunny days and endless possibilities of summer. Everything changes one afternoon in April, when four LAPD officers are acquitted after beating a black man named Rodney King half to death. Suddenly, Ashley’s not just one of the girls. She’s one of the black kids. As violent protests engulf LA and the city burns, Ashley tries to continue on as if life were normal. Even as her self-destructive sister gets dangerously involved in the riots. Even as the model black family façade her wealthy and prominent parents have built starts to crumble. Even as her best friends help spread a rumor that could completely derail the future of her classmate and fellow black kid, LaShawn Johnson. With her world splintering around her, Ashley, along with the rest of LA, is left to question who is the us? And who is the them?

The Black Kids

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Robyn Harding

One invitation. A lifetime of regrets.

Sweet sixteen. It’s an exciting coming-of-age, a milestone, and a rite of passage. Jeff and Kim Sanders plan on throwing a party for their daughter, Hannah—a sweet girl with good grades and nice friends. Rather than an extravagant, indulgent affair, they invite four girls over for pizza, cake, movies, and a sleepover. What could possibly go wrong?

But things do go wrong, horrifically so, and Jeff and Kim’s flawless life in a wealthy San Francisco suburb suddenly begins to come apart. In the ugly aftermath, friends become enemies, dark secrets are revealed in the Sanders’ marriage, and the truth about their perfect daughter is exposed.

"In this stunning and provocative domestic drama about a sweet sixteen birthday party that goes horribly awry, a wealthy family in San Francisco finds themselves entangled in a legal battle, their darkest secrets revealed, and their friends turned to enemies. One invitation. A lifetime of regrets. Sweet sixteen. It's an exciting coming of age, a milestone, and a rite of passage. Jeff and Kim Sanders plan on throwing a party for their daughter, Hannah--a sweet girl with good grades and nice friends. Rather than an extravagant, indulgent affair, they invite four girls over for pizza, cake, movies, and a sleepover. What could possibly go wrong? But things do go wrong, horrifically so. After a tragic accident occurs, Jeff and Kim's picture perfect life in a wealthy San Francisco suburb suddenly begins to unravel. A lawsuit is filed that irrevocably changes their relationship, reveals dark secrets in the Sanders' marriage, and exposes the truth about their perfect daughter, Hannah. Harkening to Herman Koch's The Dinner, Christos Tsiolkas's The Slap, and Liane Moriarty's Big Little Lies, The Party takes us behind the faocade of the perfect family, exposing the lies, betrayals, and moral lapses that neighbors don't see--and the secrets that children and parents keep from themselves and each other"--

The Party

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Curtis Sittenfeld

Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she’s long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life.

But when Sally’s friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show—and in society at large—who’ve gotten romantically involved with incredibly beautiful and accomplished women. Sally channels her annoyance into a sketch called The Danny Horst Rule, poking fun at this phenomenon while underscoring how unlikely it is that the reverse would ever happen for a woman.

Enter Noah Brewster, a pop music sensation with a reputation for dating models, who signed on as both host and musical guest for this week’s show. Dazzled by his charms, Sally hits it off with Noah instantly, and as they collaborate on one sketch after another, she begins to wonder if there might actually be sparks flying. But this isn’t a romantic comedy—it’s real life. And in real life, someone like him would never date someone like her . . . right?

With her keen observations and trademark ability to bring complex women to life on the page, Curtis Sittenfeld explores the neurosis-inducing and heart-fluttering wonder of love, while slyly dissecting the social rituals of romance and gender relations in the modern age.

A comedy writer thinks she's sworn off love, until a dreamy pop star flips the script on all her assumptions--a hilarious, observant, and deeply tender novel from the New York Times bestselling author of Eligible, Rodham, and Prep.

"Whatever [Sittenfeld] writes, we'll read it."--People

Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she's long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life.

But when Sally's friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show--and in society at large--who've gotten romantically involved with incredibly beautiful and accomplished women. Sally channels her annoyance into a sketch called the Danny Horst Rule, poking fun at this phenomenon while underscoring how unlikely it is that the reverse would ever happen for a woman.

Enter Noah Brewster, a pop music sensation with a reputation for dating models, who signed on as both host and musical guest for this week's show. Dazzled by his charms, Sally hits it off with Noah instantly, and as they collaborate on one sketch after another, she begins to wonder if there might actually be sparks flying. But this isn't a romantic comedy--it's real life. And in real life, someone like him would never date someone like her . . . right?

With her keen observations and trademark ability to bring complex women to life on the page, Curtis Sittenfeld explores the neurosis-inducing and heart-fluttering wonder of love, while slyly dissecting the social rituals of romance and gender relations in the modern age.

Romantic Comedy

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Emma Cline

Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence.

THE INSTANT BESTSELLER • An indelible portrait of girls, the women they become, and that moment in life when everything can go horribly wrong NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • The Guardian • Entertainment Weekly • San Francisco Chronicle • Financial Times • Esquire • Newsweek • Vogue • Glamour • People • The Huffington Post • Elle • Harper’s Bazaar • Time Out • BookPage • Publishers Weekly • Slate Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence. Finalist for the Los Angeles Times Book Prize • Finalist for the National Book Critics Circle John Leonard Award • Shortlisted for The Center for Fiction First Novel Prize • The New York Times Book Review Editors’ Choice • Emma Cline—One of Granta’s Best of Young American Novelists Praise for The Girls “Spellbinding . . . a seductive and arresting coming-of-age story.”—The New York Times Book Review “Extraordinary . . . Debut novels like this are rare, indeed.”—The Washington Post “Hypnotic.”—The Wall Street Journal “Gorgeous.”—Los Angeles Times “Savage.”—The Guardian “Astonishing.”—The Boston Globe “Superbly written.”—James Wood, The New Yorker “Intensely consuming.”—Richard Ford “A spectacular achievement.”—Lucy Atkins, The Times “Thrilling.”—Jennifer Egan “Compelling and startling.”—The Economist

The Girls

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Jen Silverman


Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic.
 
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.

After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects.

FINALIST FOR THE LAMBDA LITERARY AWARD * ONE OF BUZZFEED'S BEST BOOKS OF THE YEAR * "A blistering story about the costs of creating art."--O: The Oprah Magazine

Not too long ago, Cass was a promising young playwright in New York, hailed as "a fierce new voice" and "queer, feminist, and ready to spill the tea." But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape--and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline's next semidocumentary movie, which follows the girls' clandestine activity: a Fight Club inspired by the violent classic.
 
As Cass is drawn into the film's orbit, she is awed by Caroline's ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art--especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she's no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.

We Play Ourselves

46923378-bcc6-4539-b3cd-18d5051d5212-1

Fiona Davis

From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home—a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art, and everything to do with politics. A Red scare is sweeping across America, and Senator Joseph McCarthy has started a witch hunt for Communists, with those in the entertainment industry in the crosshairs. As the pressure builds to name names, it is more than Hazel and Maxine's Broadway dreams that may suffer as they grapple with the terrible consequences, but also their livelihood, their friendship, and even their freedom.

Spanning from the 1940s to the 1960s, The Chelsea Girls deftly pulls back the curtain on the desperate political pressures of McCarthyism, the complicated bonds of female friendship, and the siren call of the uninhibited Chelsea Hotel.

The bright lights of the theater district, the glamour and danger of 1950s New York, and the wild scene at the iconic Chelsea Hotel come together in a dazzling new novel about a twenty-year friendship that will irrevocably change two women's lives—from the New York Times bestselling author of The Lions of Fifth Avenue. From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home—a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art, and everything to do with politics. A Red Scare is sweeping across America, and Senator Joseph McCarthy has started a witch hunt for communists, with those in the entertainment industry in the crosshairs. As the pressure builds to name names, it is more than Hazel and Maxine's Broadway dreams that may suffer as they grapple with the terrible consequences, but also their livelihood, their friendship, and even their freedom. Spanning from the 1940s to the 1960s, The Chelsea Girls deftly pulls back the curtain on the desperate political pressures of McCarthyism, the complicated bonds of female friendship, and the siren call of the uninhibited Chelsea Hotel.

Kelsey Szerlip

@kelsey281397

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Nicholas Sparks

The Return

Tessa Bailey

Unfortunately Yours

Amy Poehler

Yes Please

Amanda Quick

Close Up

Elly Conway

Argylle

Sophie Mackintosh

Blue Ticket

Christina Hammonds Reed

The Black Kids

Robyn Harding

The Party

Curtis Sittenfeld

Romantic Comedy

Emma Cline

The Girls

Jen Silverman

We Play Ourselves

Fiona Davis

The Chelsea Girls

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Nicholas Sparks

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Unfortunately Yours

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Close Up

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Christina Hammonds Reed

The Black Kids

Robyn Harding

The Party

Curtis Sittenfeld

Romantic Comedy

Emma Cline

The Girls

Jen Silverman

We Play Ourselves

Fiona Davis

The Chelsea Girls

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